Mabousso Station
the woyothèque
of the African Pluriversity of Knowledge

Mabousso Station is Pluriversité’s music curatorial space. We see music as a space for connection and sensitivity, for memory and narrative, and therefore as a form of knowledge production and transmission in its own right. Building our playlists means repositioning stories in the places where they belong, reviving constructions and deconstructions, and recognising that music has the full power to analyse, to make claims and to displace. Each playlist accompanies a dedicated publication enriched with its bibliography, and thus constitutes an editorial object.

 

We chose Deezer as our host port because’it is one of the few platforms accessible from French-speaking Africa, where Pluriversity is rooted. This criterion of geographical accessibility reveals that the platforms presented in the global North as the most ethical often exclude audiences in the global South by virtue of their service geography. Choosing a platform that can also be accessed from our own spaces means refusing to allow Pluriversity to depend on an infrastructure that reproduces the exclusions it seeks to address. Moreover, among the accessible players, Deezer offers artists fairer remuneration than the dominant platforms.

From this port, we link each track to the listening platform of your choice. So you can listen according to your habits, your subscriptions and your commitments. The curatorial gesture remains that of Pluriversity; listening, on the other hand, is up to you – and with it, the choice of conditions under which you support the artists we highlight.

Album covers reproduced for editorial purposes. All rights reserved to their respective owners.

Mabousso Station is Pluriversité’s music curatorial space. We see music as a space for connection and sensitivity, for memory and narrative, and therefore as a form of knowledge production and transmission in its own right. Building our playlists means repositioning stories in the places where they belong, reviving constructions and deconstructions, and recognising that music has the full power to analyse, to make claims and to displace. Each playlist accompanies a dedicated publication enriched with its bibliography, and thus constitutes an editorial object.

 

We chose Deezer as our host port because’it is one of the few platforms accessible from French-speaking Africa, where Pluriversity is rooted. This criterion of geographical accessibility reveals that the platforms presented in the global North as the most ethical often exclude audiences in the global South by virtue of their service geography. Choosing a platform that can also be accessed from our own spaces means refusing to allow Pluriversity to depend on an infrastructure that reproduces the exclusions it seeks to address. Moreover, among the accessible players, Deezer offers artists fairer remuneration than the dominant platforms.

From this port, we link each track to the listening platform of your choice. So you can listen according to your habits, your subscriptions and your commitments. The curatorial gesture remains that of Pluriversity; listening, on the other hand, is up to you – and with it, the choice of conditions under which you support the artists we highlight.

Album covers reproduced for editorial purposes. All rights reserved to their respective owners.

🔊

Musics of African Independence

Transatlantic circulations,

national-constructions

and political legacies

After Felwine Sarr’s course, Duke University 2024

Listen on the platform of your choice
  • Grand Kalle and African Jazz, Independence cha cha – Independence cha cha   listen
  • Grand Kalle and African Jazz, Round Table – Independence cha cha  listen
  • E.T Mensah, Ghana Freedom – Day by Day Classic Highlife of 1950’s and 1960’s listen
  • Bonga, Balumukeno – Angola 72   listen
  • Bonga, Mona Ki Ngi Xica – Angola 72  listen
  • Bembeya Jazz National, Looking back Pt1- Looking back listen
  • Bembeya Jazz National, Looking Back Pt2 – Looking Back  listen
  • Myriam Makeba, Lumumba – Keep me in mind listen
  • Hugh Masekela, Afro Beat Blues – The Chisa Years 1965-1975 listen
  • Thomas Mapfumo, Zimbabwe Mozambique – Zimbabwe Mozambique listen
  • International Ambassador, Mandjou –  Mandjou (Salif Keïta) listen
  • E.T Mensah, Ghana-Guinea-Mali – Day by Day Classic Highlife of 1950’s and 1960’s listen
  • Bembeya Jazz National, Chemin du PDG – Regard sur la Passé listen
  • Thomas Mapfumo and the Blacks Unlimited, Musanyepere – Chimurenga Explosion listen
  • Thomas Mapfumo and the Blacks Unlimited, Chisi – Chimurenga Explosion listen
  • Habib Koïté, Maliba – Afriki listen

Shaping the Nation

From jeli to ishumar:

music, nation and dissent

in post-colonial Mali

After Felwine Sarr’s course, Duke University 2024

Listen on the platform of your choice
  • Salif Keïta & Les Ambassadeurs Internationaux, Mandjou –  Mandjou   listen
  • Boubacar Traoré, Duna ma yelema  – Maciré (Kar Kar) listen
  • Ali Farka Touré & Ry Cooder, Ai Du -Talking Timbuktu listen
  • Oumou Sangaré, Diaraby Nènè – Moussoulou  listen
  • Habib Koité, Mali Ba – Afriki  listen
  • Amkoullel, S.O.S S.O.S (single) listen
  • Tinariwen, Sixty Three –Aman Iman: Water Is Life  listen
  • Tinariwen, Azawad listen
  • Tinariwen, Hayati – Elwan listen
  • Ali Farka Touré & Toumani Diabaté, Debe – In the Heart of the Moon listen
  • Vieux Farka Touré, Ay Bakoy  – Mon Pays listen
  • Toumani Diabaté, Elyne Road  – The Mandé Variations listen
  • Khaira Arby,Goumou – Timbuktu Tarab listen
  • Khaira Arby, Tarab – Timbuktu Tarab listen
  • Songhoy Blues, Soubour – Music in Exile listen
  • Bassekou Kouyaté, Don’t tire me – Jama ko listen
  • Fatoumata Diawara, Kèlè – Fatou listen

National Anthems
and Collective Identity

African Lusophonies

and South Africa:

of the revolutionary march

to the continental blessing

After Felwine Sarr’s course, Duke University 2024

Listen on the platform of your choice
  • South African Themes Ensemble, National Anthem of South Africa   listen
  • Republic of Zambia, National Anthem of Zambia – Stand and Sing of Zambia, Proud and Free listen
  • Overtone, The South African National Anthem – Invictus (Original Motion Picture Soundtrack) listen
  • Ladysmith Black Mambazo, Nkosi Sikelel’ iAfrika – Favourites  listen
  • Enoch Sontonga, Nkosi Sikelel Afrika – Southern Africa listen
  • Lukazi SambatreeMungu Ibariki Afrika (Tanzania National Anthem) – Mungu Ibariki Afrika listen
  • John Williams, Nkosi Sikelel’i Afrika – The Magic Box listen
  • Hugh Masekela, Mandela (Bring Him Back Home) – Hope listenter
  • Miriam Makeba, A Luta Continua – Welela listen
  • Mahalia Jackson, We Shall Overcome – Sings the Best-Loved Hymns of Dr. Martin Luther King, Jr. listen
  • Tasha Cobbs Leonard, Lift Every Voice and Sing listen
  • Symphoria, Angola Avante (National Anthem of Angola) listen
  • The Nationalism, Esta É a Nossa Pátria Bem Amada listen
  • Symphoria, Cântico da Liberdade (National Anthem of Cape Verde) listen
  • N’Gola Ritmos, Muxima – O Ritmo do N’Gola Ritmos listen
  • Orquestra Marrabenta Star de Moçambique, Elisa Gomara Saia – Músicas de Moçambique listen
  • Bonga, Mulemba Xangola -Mulemba Xangola listen
  • Bonga, Kilombelombe–  Massemba 87 listen
  • Cesária Évora & Bonga, Sodade – Cesaria Evora &… listen
  • Ruy Mingas, Meninos do Huambo – Memória listen
  • Wazimbo & Orquestra Marrabenta Star de Moçambique, Nwahulwana listen
  • Ruy Mingas, Monangambé – 25 Abril (Cravo) listen
  • Waldemar Bastos, Velha Chica – Best Of (Deluxe) listen
  • Mayra Andrade, Dimokránsa – Navega listen

Music as a space for the construction of African modernity

Cubanismo in Senegal,

from sea routes to Dakar scenes

After Felwine Sarr’s course, Duke University 2024

Listen on the platform of your choice
  • Don Azpiazu, El Manisero – Remastered – The Voodoo (Remastered) listen
  • Bebo Valdés, Orquesta Sabor De Cuba, El Manisero – Mambo Son – El Manisero listen
  • Orquesta Aragón,  El Bodeguero – Memorias de la Orquesta Aragón listen
  • Conjunto Casino, Sin Caña y Sin Platanal – Conjunto Casino: Rumba Quimbumba listen
  • Compay Segundo, Chan Chan – Buena Vista Social Club listen
  • Fania All Stars, Quítate Tú – Salsa, Mis mejores exitos listen
  • Star Band de Dakar, Vamos Pa’al Monje – The Original Star Band of Dakar listen
  • Star Band de Dakar, Chérie coco – The Original Star Band of Dakar listen
  • Star Band of Dakar, Thiely – The Original Star Band of Dakar listen
  • Laba Sosseh, El Manicero – El Maestro listen
  • Laba Sosseh, Diokma sa loxo– El Maestro
  • Star Number One of Dakar, Maam Bamba –  La Belle époque listen
  • Star Number One of Dakar, Liiti Liiti –  La Belle époque listen
  • Orchestra Baobab, Utrus Horas – Pirates Choice listen
  • Orchestra Baobab, On Verra Ça – On verra ça listen
  • Orchestra Baobab, Bul ma miin – Specialist In All Styles listen
  • Orchestra Baobab, Nijaay – Made in Dakar listen
  • Etoile De Dakar – Once Upon a Time in Senegal listen to the album listen to the album
  • Youssou N’Dour, Birima – Joko: From Village To Town listen
  • Youssou N’Dour, Xale / Our Young People – Set listen
  • Youssou N’Dour Li Ma Weesu listen
  • Africando, Medoune Diallo, Mandali – Betece – All Stars listen
  • Africando, Thione Seck, Sey – Betece – All Stars listen
  • Africando, Yaye Boy – African Salsa listen
  • Africando, Trovador – Africando, Vol. 1: Trovador listen
  • Cheikh Lô, Conia – Jamm listen
  • Cheikh Lô, Né la thiass – Né la thiass listen
  • Cheikh Lô, Set – Né la thiass listen
  • Cheikh Lô, Zikr – Bambay Gueej listen
  • Cheikh Lô, Ibrahim Maalouf, Balbalou (feat. Ibrahim Maalouf) – Balbalou listen
  • Cheikh Lô, Fixi, Flavia Coelho, Degg Gui (Album Version) – Balbalou listen
  • AfroCubism, Jarabi – AfroCubism listen
  • AfroCubism, Mali-Cuba – AfroCubism listen
  • AfroCubism, Al Vaivén de Mi Carreta – AfroCubism listen
  • AfroCubism, Karamo – AfroCubism listen
  • Bonus :
  • Eliades Ochoa, Píntate los labios María – Sublime Ilusión listen
  • Bembeya Jazz National, Whisky Soda – Athenticité 73 listen
  • Franco & TP OK Jazz, Mario – Mario listen

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